Toby Keith did not exist to a large chunk of the country before 2002.

It’s a love story.

In the midst of all its marvelous make-believe, it’s what’s real that’s most appealing about “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.”

Harry Potter is growing up. And I don’t just mean that Daniel Radcliffe, who’s played the boy wizard in four movies now, has changed from a soft-looking, apple-cheeked child to an angular teen teetering on the brink of manhood. What’s remarkable about the Potter series, books and movies both, is how J.K. Rowling’s beloved young hero has matured and deepened over the years.

It’s amazing how far Pong has come. The latest tennis games are, after all, just the latest iterations of that noteworthy early 1970s arcade game.

The past few years have brought an abundance of video games based on war and the military.

It’s 9 a.m., and we can see for 100 miles in any direction. But there’s something surreal about the view.

“Yes,” Sally Potter’s new film, is all about textures. It’s about the chilled neutrality of the blank ivory walls of a sterile, tony London townhouse that’s a tomb for a marriage. And it’s about the warm and rumpled silken bedclothes of a lovers’ trysting place. It’s about faces in close-up: contemplative, embittered, impassioned and sorrowing.

“YEEEE! EEEE!”

Something is rotten in Denmark, and we learn from “The Elsinore Diaries” that it has something to do with mice and cheese.